“Well, irrespective of what anyone says,” said Noah, “Stephen’s family consists of Jan. All right? Stephen and Jan.”
[13 year old] Maya digested that. “Stephen and Jan?” she repeated. “Are you sure? They’re always fighting”.
“Absolutely sure. They’ve been together for twenty-five years or so
“I mean”, said Maya thoughtfully, “like, are you sure? That’s a funny kind of family.”
Noah shrugged. “There are all sorts of families. Parents and children, husband and wife, brothers and sisters, friends. All sorts.”
“Oh”, said Maya. “I thought you had to be related.”
“You do. You relate through love and responsibility, and a commitment to take care of each other.”
Maya nodded reflectively. “Stephen and Jan” she said. “That’s good. I like them both”.
Now, you may not be one of those people who like to read fantasy fiction. But I am. I read a particular kind of fantasy fiction – mostly written by women and preferably with leading female characters. The kind that has witches and wizards and dragons and enchanted things and different worlds. Nothing gory or bloody. Basically, books that my friends’ children would read.
I read them mostly because I lurve these alternate worlds of magic and colour; it is a kind of utopia for me. But I am also interested in how fantasy fiction is written. And while I read, I keep an eye out for characters that are not resoundingly straight. Recently, I re-read A Shadow in Eternity, The Key of Chaos and The Timeless Land – a set of books written by Payal Dhar – and was again struck by how simply and sweetly she has introduced a gay relationship and a non-homophobic world to her young readers. It is ingenious because there is no sudden and didactic introduction of homosexuality into the story and no admonitions to refrain from stereotypes or name-calling.
Instead, what you find is a gradual unraveling of how Jan shares life and home with Stephen, Maya’s Healing teacher and Noah’s friend. We, along with Maya, see the two men cooking, sharing household responsibilities, arguing about life, and caring about each other and the people around them. It is the only family shown up close – other than Maya’s own – and the most ‘normal’. And Maya gradually (and sometime after the conversation quoted above) understands and is told about the relationship between Stephen and Jan.
Gay characters are not unknown in this genre of writing, though queer female characters are rare. Ursula K Le Guin’s The Left Hand of Darkness (1969) and Trudi Canavan’s The Black Magician Trilogy are two other instances that come to mind. Maya is an inhabitant of both our world and the Eternal World and there is much interaction between the two worlds. This is different to Le Guin’s and Canavan’s alternate worlds which are very different to our world in geography, climate, customs, etc. The similarity and interaction between our world and the Eternal World normalizes different romantic relationships to the Maya and the reader. The acceptance accorded to queer relationships is highlighted by the questions that Maya asks because of her own realization that it is not possible ‘back home’, which is a successful literary device in this instance. Jan and Stephen stand out for me because they don’t stand out in the story.